Oboe Concerto Alt ernative. Quite independently (and there is no evidence of Bach′s having known any of his music) Purcell used an almost identical idea as the repeated ground in Dido′s Lament from the opera Dido and Aeneas. 13-22 Other Recordings of Cantatas Recordings of Other Vocal Works Compilations & Box Sets ... Taka Kitazato (Oboe, Oboe d'amore); Stephen Keavy (Trumpet); Ton Koopman (Harpsichord) Performance history The third in this sequence of arias is for tenor and continuo and, despite its constructive and encouraging message, it returns us to minor modes. It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen. The list includes both extant cantatas and, as far as known, lost cantatas. Ich habe genug9:11 2. Benjamin Appl (baritone), Christoph Hartmann (oboe) Berlin Barock Solisten, Reinhard Goebel Weichet nur, betrübte Schatten, BWV 202, is a secular cantata by Johann Sebastian Bach. The music is splendid. Chorale. His harpsichord concertos are mostly adaptations of concertos originally written for other solo instruments.. © 2000-2021 Bach Cantatas Website, Last update: Tuesday, June 13, 2017 05:03, Scores & Composition, Parodies, Reconstructions, Transcriptions, http://www.cs.ualberta.ca/~wfb/cantatas/ainst.html, http://www.cs.ualberta.ca/~wfb/cantatas/minst19.html, http://www.cs.ualberta.ca/~wfb/cantatas/minst20.html. The second for bass, two solo violins and continuo is the work’s first in a major mode, despite being the fifth movement. The singer also enters with the same motive. Cantatas of the Bach Family. Bach, Johann Sebastian Arioso from Cantata BWV 156 sheet music for Oboe (pdf) - 8notes.com The broken rhythms of the opening continuo melody may at first seem at odds with the call to be steadfast and resolute but to view it in this way is probably to miss the point of Bach′s approach to melodic structuring. Tarkmann: Chorale Dein Blut, der edle Saft from Cantata BWV 136, arranged for solo oboe, choir & chamber orchestra [1:22] Bach-A.N. The word Trübsal—-tribulations—-is heard four times, the first three carried by a sorrowful, falling, three-note motive and finally, with a trill that suggests the freezing of the blood. Bach composed cantatas throughout much of his creative life. Bach indeed used this term for the solo works and named those with more voices `concerto’; however, this latter term has been dropped in modern musical practice to avoid confusion with the purely instrumental works of that name. It is less concerned with the misery of the Christian than the fact of identification with the Lord′s sufferings. Most interestingly, Bach did almost exactly the same thing, also based upon the same D chord, in bars 3 and 4 of the sinfonia to C 18 (vol 1, chapter 43). Tarkmann: Chorale Zion hört die Wächter singen from Cantata BWV 140, arranged for solo English horn, tenor choir & chamber orchestrra [4:16] Bach-A.N. One cannot know which particular verse of this hymn, Jesu meine Freude, Bach may have had in mind but it hardly matters; a melody as well known as this must have struck strong resonances with congregations. The middle section of the cantata movement is slightly faster except for its final eight bars. Titles of the cantatas. Thirdly, the accompanying chords are now shared between flutes and strings, imbuing the soundscape with an ever-changing kaleidoscope-like colouring. As such, it represents (from my own subjective perspective) a certain Bachian paradox, wherein some of the most life-denying texts led to some of his most life-affirming music. Bach - Arioso from Cantata BWV 156 sheet music for Oboe (pdf) Sheet Music PDF MP3 Midi Parts Versions Access the high quality, printable PDF version of this piece by subscribing to 8notes.com … ... the use of the oboe, oboe d'Amore and oboe da Caccia in the sacred arias of Johann Sebastian Bach cantatas. Earth rejoices"): The "pretty Bach" approach suits this festive Easter cantata, a bit unusual in that it is both festive and Passion cantata. The cantata in six movements is scored for four vocal soloists (soprano, alto, tenor and bass), a four-part choir, horn to double the soprano in the chorale, flauto traverso, oboe d'amore, two … | Instruments, Voices, Choirs The Festival’s four resident vocal soloists are featured in this special presentation of Bach cantatas under the direction of Andrew Arthur. The B section is more devoted to notions of Christ′s solace achieved through His agony as the melisma on Wunden—-injuries—- makes clear. Here the main musical interest is invested in the highly embellished oboe line, the sort of ornately baroque melody that we find in a number of Bach′s slow movements (the middle movement of the Italian Concerto provides a perfect example). | Cantatas & Other Vocal Works Bach, Johann Sebastian (1685–1750) Works. IJB 440 Key D minor Movements/Sections Mov'ts/Sec's: 3 First Pub lication. JS Bach: Cantatas. He was less interested in repetition forms, such as theme and variation and chaconne, than in those based upon organic harmonic development but, as the Goldberg Variations show, when he did turn his hand to them he showed everyone else how they should be done! Bach Cantatas & Other Vocal Works: Contents: Complete Cantata Cycle Vols. Its chromatic movement paints a graphic picture of the torments we need undergo. Like the oboe da caccia featured in last week's cantata, the oboe d’amore is a lower-pitched cousin to the modern oboe, with a warmer, less strident tone. JOHANN SEBASTIAN BACH (1685-1750): Conciertos para oboe y cantatas/ Xenia Löffler, oboe. | Various Topics, Oboe & Oboe d’amore in Bach’s Vocal Works Löffler’s wondrous playing deserves nothing less, though. | Copyright Policy PAULINE: We feel that in these works of Bach the soprano and the oboe are perfectly attuned to each other. Bach, J S: Cantata BWV106 'Gottes Zeit ist die allerbeste Zeit' (Actus tragicus) Bach, J S: Cantata BWV140 'Wachet auf, ruft uns die Stimme' Bach, J S: Cantata BWV147 'Herz und Mund und Tat und Leben' Bach, J S: Motet BWV118 'O Jesu Christ, mein Lebens Licht' Conductors. Johann Sebastian Bach's Violin Concertos, BWV 1041–1043, and his six Brandenburg Concertos survive in their original instrumentation. No. 51, Oboe Adagio & Air on the G String - Vivaldi: Violin Concertos - Handel: Messiah, Hallelujah Chorus - Mozart: Ave Verum Corpus - Pachelbel: Canon in D Major - Walter Rinaldi: Piano Concertos & String Orchestra Works de J.S. And even more surprisingly, that movement was the prelude to a recitative which also talked of the rain watering the earth and giving rise to bud! The orchestral playing under Václac Luks is delicately supportive, at all times attentive and neatly moulded to the soloists’ moves. The manuscript 'Taille' [tenor oboe] part for the sacred cantata BWV 174 'Ich Liebe den Höchsten vom ganzen Gemüthe', composed for performance in Leipzig on 6 June 1729, THE LAST FOUR LINES, COMPRISING THE 20 BARS OF THE CHORALE, INCLUDING THE WORDS 'CHORAL' AND 'FINE', ENTIRELY IN THE HAND OF THE COMPOSER, the remainder in the hand of two … Johann Sebastian Bach (1685–1750) Four Arias – Rosa Lamoreaux, soprano • from Cantata 199, No. Bach indeed used this term for the solo works and named those with more voices `concerto’; however, this latter term has been dropped in modern musical practice to avoid confusion with the purely instrumental works of that name. Preciosa la escritura que Bach asigna a los instrumentos antedichos, que se intercalan alternativamente a las frases del cantante. Bach-A.N. Most of the changes are made to accommodate the harmonies generated by a continuo figure which gives the impression of being another ground bass, although that is not the case. JS Bach: Oboe Concertos & Cantatas. Buy CD online. Although cantata 23 doesn’t appear in the Jahrgant I until February 20, 1724, it was one of Bach’s audition cantatas a full year earlier. wenn kommt das schöne Nun!21:47 5. Intérpretes Bach Santiago. Bach’s cantata Ich habe genug, BWV 82, is one of several which expresses contempt for worldly life and a yearning for death and the life beyond. En “Wie freudig ist mein Herz”, de la 199, comienza el oboe con una frase corta a modo de proclamación, la de la inmensa alegría del hombre, que acaba de liberar su culpa mediante el sacrificio. Jesus nahm zu sich die Zwölfe, BWV 22 (Jesús tomó consigo a los doce) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para Quinquagesima, el último domingo antes de Cuaresma.Bach creó esta composición como pieza para una audición para el puesto de Thomaskantor en Leipzig y fue estrenada allí el 7 de febrero de 1723. Bach composed the cantata in his third year as Thomaskantor in Leipzig. The warm sound of the oboe d’amore contributes to the intimate feel of this aria, as does the lower, warmer timbre of the alto soloist. (Students who wish to study Bach′s harmonisations of this chorale may seek out Cs 81, 87 and 64. The cantatafinder is a tool designed to help you find your sacred Bach cantatas in the SDG series. After his death, his son Wilhelm Friedemann Bach arranged the first and fifth movements, adopting a new text and adding trumpets and timpani. ahora el año llega a su fin. Thus poetic metaphor, traditional hymn tune, the basic theme of the cantata and the efforts of the individual are all brought together in a seemingly unpretentious but beautifully crafted little aria. 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