Although the German flautist and composer Johann Joachim Quantz (1697-1773) explains in his Versuch einer Anweisung die Flöte traversiere zu spielen why viola players do indeed need specific skills and knowledge, he too starts with a summary of the generally held opinion of viola players: “The viola is generally seen as unimportant in the music world. 15 in B Minor for String Trio, › Sinfonia No. ist die Losung" for String Quartet, › Choral: "Was mein Gott will, das g'scheh allzeit" for String Quartet, › Choral: "Zwar ist solche Herzensstube" for String Quartet, › Chorale & Aria: "Ich steh mit einem Fuß im Grabe" for French Horn & String Trio, › Chorale Fantasia: "Nun freut euch lieben Christen g'mein" for String Quartet, › Chorale Fantasia: "Wo Gott der Herr nicht bei uns hält" for String Quartet, › Chorale Partita II from "O Gott, du frommer Gott" for Viola & Cello, › Chorale Partita: "O Gott, du frommer Gott" for String Quartet, › Chorale: "Ach, ich habe schon erblicket" for String Quartet, › Chorale: "Alle Menschen müssen sterben" for String Trio, › Chorale: "Alles mit Gott und nichts ohn'" for String Quartet, › Chorale: "Bist du Christus, sage es uns!" 3; Brahms – Symphony No. Harpsichord Concerto No.1 in D minor, BWV 1052 Harpsichord Concerto No.2 in E major, BWV 1053 Harpsichord Concerto No.3 in D major, BWV 1054 Harpsichord Concerto No.4 in A major, BWV 1055 Harpsichord Concerto No.5 in F minor, BWV 1056 Harpsichord Concerto No.6 in F major, BWV 1057 Harpsichord Concerto No.7 in G … Performer & Album Info - 17:121. 5) for Brass & Strings, › "Sarabande" from the Partita for Violin No. Find a unique gift with Brandenburg Concerto 6 facsimile Because of the presence of the two gambas, it’s not that easy to fit this concerto in a performance given by a usual string orchestra. 8 in F Major for Viola Duet, › Invention No. Brandenburg Concerto No.6 in B-flat major - BWV 1051. Re: Which is your favorite Brandenburg Concerto? Intermediate. Bach for String Trio, › "Awakening in the Woods" from 18 Études for String Quartet, › "Ballo del Granduca" for String Quartet, › "Behold and See if there be any Sorrow" for Horn & Strings, › "Bei Männern, welche Liebe fühlen" for Flute & Viola, › "Berceuse" from Lyric Pieces for String Quartet, › "Bolero" from 2 Caprices for String Quartet, › "Bon Jour Mon Coeur" for String Quartet, › "Bringt her dem Herren" for Violas & Harp, › "But thou didst not Leave his Soul in Hell" for Trumpet & Strings, › "Capriccio" from "12 pieces pour Orgue" for Viola & Classical Guitar, › "Capriccioso" from "Six Pieces" for Guitar & Strings, › "Capricho Catalán" from the Suite "España" for String Quartet, › "Casta Diva" from "Norma" for Viola & Harp, › "Cataluña" from "Suite Española" for String Quintet, › "Chickens & Hens" from the "Carnival of the Animals" for Strings, › "Christe Eleison" from the Mass in G Minor for String Trio, › "Christmas Air" for Violin, Viola & Harp, › "Christmas Fantasia" for String Quintet, › "Christus der ist mein Leben" for Viola & Cello, › "Ciaccona" from the Partita for Violin No. The key idea is the alternation between one or more soloists and the whole ensemble, in a sort of light-hearted competition. 6 in B flat major, BWV 1051 . Adagio ma non tanto - 6:203. Johann Sebastian Bach's Brandenburg Concerto No. 4 in Eb Major for String Trio, › Allemande from the Partita in D Major for String Trio, › Aria & Chorus: "Sie werden euch in den Bann tun" for Oboe & Strings, › Aria & Coro: "Al lampo dellarmi" from "Giulio Cesare" for String Trio, › Aria from Brandenburg Concerto V for String Quartet, › Aria: "Öffne dich, mein ganzes Herze" for Viola & Cello, › Aria: "Ach Gott, wie manches Herzeleid" for Oboe & Strings, › Aria: "Ach schläfrige Seele, wie ruhest du noch" for Oboe & Strings, › Aria: "Ach senke doch den Geist der Freuden" for String Trio, › Aria: "Ach! The music that he sent to the margrave a couple of years later (which subsequently became known as the 'Brandenburg' Concertos) was Bach’s ultimate view of the most important large-scale instrumental genre of his day: the concerto.A concerto nearly always involves a solo instrument (or combination of solo instruments) and an ensemble. 1 in D Minor for String Trio, › Gigue from the Partita in A Minor for Viola & Guitar, › Gigue from the Partita in Bb Major for Viola, › Gigue from the Partita in E Minor for String Trio, › Gigue from the Suite No. (It may actually have been the first composed, however.) 14 in Bb Major for String Trio, › Sinfonia No. Title on autograph score: Concerto 6toà due Viole da Braccio, due Viole da Gamba, Violoncello, Violone e Cembalo. Brandenburg Concerto No.6 in B-flat major, BWV 1051 Harpsichord Concertos. 1 in F, BWV 1046 0:002. 2 for Viola, › "Cyprès" from "Cyprès et Lauriers" for String Quintet, › "De los Alamos Vengo, Madre" for String Quartet, › "Deposuit" from the Magnificat in D Major for String Trio, › "Der Tod und das Mädchen" for Viola & Piano, › "Doctor Gradus ad Parnassum" for String Quartet, › "Domine Deus" from the Mass in A Major for String Trio, › "Domine Deus" from the Mass in F Major for Guitar & Strings, › "Dona nobis pacem" from the Mass in B Minor for String Quartet, › "En forme de Canon" from "12 pieces pour Orgue" for String Quartet, › "Entry of the Gladiators" (Thunder & Blazes) for String Quartet, › "Erbarm dich mein, o herre Gott" for Oboe & Strings, › "Erbarm dich mein, o herre Gott" for Viola & Harp, › "Españoletas" from the Spanish Suite for Viola & Guitar, › "Esurientes implevit" from "Magnificat" for Viola & Harp, › "Et in unum Dominum" from the Mass in B Minor for Trumpets & Strings, › "Et incarnatus est" from the Mass in B Minor for String Ensemble, › "Fairest Isle" from King Arthur for String Quartet, › "Fairy Dance" from Lyric Pieces for String Quartet, › "Fammi Combattere" from Orlando for Viola & Strings, › "Fantaisie sur des thèmes de Händel et Abbé Vogler" for Viola & Harp, › "Fantasie Militair" on Motifs from 'Die Hugenotten' for String Quartet, › "For Behold, Darkness Will Cover the Earth" from Messiah for Viola & Harp, › "Fugue" from "Six Morceaux on one theme" for String Quartet, › "Funeral March of a Marionette" for String Quintet, › "Funeral March" from "12 Morceaux" for Viola & Piano, › "Funeral March" from Piano Sonata No.2 for String Ensemble, › "Gigue à l'Angloise" in G Major for Viola Duet, › "Gigue" from the Partita for Violin No. Graphic Violence ; Graphic Sexual Content ; texts. the Echoing Air a Triumph Sings" for Harp & Strings, › "He was Despised and Rejected of Men" for Viola & Strings, › "Hewlett's Air" for Violin, Viola & Harp, › "Hole in the Wall" Hornpipe from Abdelazer Suite for Viola & Piano, › "Hopak" from "Sorochintsy Fair" for String Quintet, › "I know that my Redeemer Liveth" for Marimba & Strings, › "I Vow to Thee, My Lord" for Viola & Piano, › "If God be for us, Who can be Against us" for Viola & Strings, › "Il Risentito" from Balletti a Cinque Voci for String Trio, › "Intermezzo" from the Petite Suite for String Quartet, › "Introitus" from the Requiem in C Minor (Mvt. 5 in Eb Major for String Trio, › Sinfonia No. 2 for Viola, › "Giovane Donna" from Lagrime di San Pietro á 7 for String Ensemble, › "Golliwog's Cake-Walk" for String Quartet, › "Grande Mazurka" in Ab Major for String Quintet, › "Grande Valse Brillante" in Eb Major for String Quartet, › "Hark! for String Ensemble, › Chorale: "Darbei will ich verbleiben" for Brass & Strings, › Chorale: "Das alte Jahr vergangen ist" for String Quartet, › Chorale: "Dein ist allein die Ehre" for Winds & Strings, › Chorale: "Du Friedefürst, Herr Jesu Christ" for Brass & Strings, › Chorale: "Du Friedefürst, Herr Jesu Christ" for Trumpet & Strings, › Chorale: "Ei nun, mein Gott, so fall ich dir" for String Quintet, › Chorale: "Erhalt uns Herr bei deinem Wort" for Viola Quartet, › Chorale: "Erkenne mich, mein Hüter" for String Quartet, › Chorale: "Ich bins, ich sollte büßen" for String Quartet, › Chorale: "Ich bitte dich, Herr Jesu Christ" for Trumpet & Strings, › Chorale: "Ist Gott mein Schutz und treuer Hirt" for String Quartet, › Chorale: "Laß dein' Engel mit mir fahren" for Brass & Strings, › Chorale: "Laß uns das Jahr Vollbringen" for Trumpets & Strings, › Chorale: "Nun komm, der Heiden Heiland" for Flute, Oboe & Strings, › Chorale: "O Gott, du frommer Gott" for String Quartet, › Chorale: "O Haupt, voll Blut und Wunden" for String Quartet, › Chorale: "Ob sichs anließ, als wollt er nicht" for String Quintet, › Chorale: "Selig sind, die aus Erbarmen" for String Quartet, › Chorale: "So sei nun, Seele, deine" for String Quartet, › Chorale: "Soll ich denn auch des Todes Weg" for String Quartet, › Chorale: "Vom Himmel hoch, da komm' ich her" for String Trio, › Chorale: "Wenn ich einmal soll scheiden" for String Quartet, › Chorale: "Wer hat dich so geschlagen" for String Quartet, › Chorale: "Wer weiß, wie nahe mir mein Ende" for String Quartet, › Chorale: "Wie wunderbarlich ist doch diese Strafe!" Given a piece of music, it is interesting to count how many times each of the individual twelve musical notes is played, and understand their relative weight, or importance, in the piece. Instead, two violas play the leading role. This combination was a reflection of the situation at the court in Köthen. Brandenburg concertos, BWV 1046-1051 In March 1721, Bach sent a manuscript from Köthen to Berlin entitled ‘Six concertos with several instruments’ (Six concerts avec plusieurs instruments), dedicated to Christian Ludwig (1677-1734), Margrave of Brandenburg-Schwedt. That was probably during a visit to Berlin in March 1719, when Bach had travelled to the Prussian capital to take receipt of a new harpsichord for the court in Köthen. Bach himself was an excellent performer on both violin and viola. Details. The reason is probably that the instrument is often played by people who are either beginners in music or do not have the talent to distinguish themselves on the violin, or also because this instrument does not have so many advantages: a reason why skilled musicians prefer not to get involved with it”. Brandenburg Concerto No. EMBED. Harpsichord Concerto No.1 in D minor, BWV 1052 Harpsichord Concerto No.2 in E major, BWV 1053 Harpsichord Concerto No.3 in D major, BWV 1054 Harpsichord Concerto No.4 in A major, BWV 1055 Harpsichord Concerto No.5 in F minor, BWV 1056 Harpsichord Concerto No.6 in F major, BWV 1057 Harpsichord Concerto No.7 in G … 3 in G Major for Strings, › Brandenburg Concerto No. 10 in G Major for String Trio, › Sinfonia No. Until the second half of the last century it was common to replace the two gambas with cellos but the concer… 3 in G, BWV 1048 17:543. 8 in F Major BWV for String Trio, › Sinfonia No. 6 Brandenburg Concertos (Bach, Johann Sebastian) - IMSLP: Free Sheet Music PDF Download 6 Brandenburg Concertos (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. for Viola & Cello, › Aria: "Tausendfaches Unglück, Schrecken" for French Horn & Strings, › Aria: "Tritt auf die Glaubensbahn" for String Trio, › Aria: "Und wenn der harte Todesschlag" for Brass & Strings, › Aria: "Unser Mund und Ton der Saiten" for String Ensemble, › Aria: "Va! Please help us to complete the musical heritage of Bach, by supporting us with a donation! for String Quartet, › Recitativo: "So geht denn hin!" Viola da braccio means the normal viola, and is used here to distinguish it from the “viola da gamba”. 3 in E Minor for String Quartet, › Rondeau from the Partita in C Minor for Violin & Viola, › Rondo Allegro from the Sonata in C Minor "The Pathétique" for Viola and Piano, › Rondo from Sonata Concertante for Viola & Harp, › Sarabande from the Suite in F Minor for String Trio, › Sinfonia from "Armida al campo d'Egitto" for String Quartet, › Sinfonia from "Giulio Cesare" for String Quartet, › Sinfonia from "Messiah" for Oboe & Strings, › Sinfonia in C Major from "L'Olimpiade" for String Quartet, › Sinfonia No. supported by two viola da gambas, a cello, double bass and harpsichord. Each Brandenburg Concerto has a different group of instruments performing, but the Sixth Concerto has the most unusual one: there are no violins at all, but two violas, two viola da gamba, cello, violone and harpsichord. Flag this item for. 3 in G Major for Viola & Piano, › Adagio from the Chorale in A Minor for String Quintet, › Adagio from the Sonata in C Minor "The Pathétique" for Viola and Piano, › Adagio from the Sonata in G Major for Viola & Piano, › Air from Concerto Grosso in D-Minor for String Quartet, › Alla breve in D Major for String Quartet, › Allegretto from the Sonata in G Major for Viola & Piano, › Allegro from 30 Progressive Etudes for String Quartet, › Allegro from Concerto for Viola d'amore in D Major for Viola & Strings, › Allegro from Concerto in C Major for Viola & Strings, › Allegro from the Cello Concerto in G Minor for Cello & Strings, › Allegro from the Sonata in G Major for Viola & Piano, › Allegro from the Suite in F Major for String Quartet, › Allegro from the Violin Concerto in Bb Major for String Quartet, › Allegro from the Violin Concerto in D Major for Viola & Cello Quartet, › Allegro from the Violin Concerto in E Major for Viola & Strings, › Allegro Moderato from 30 Pièces pour Orgue for String Quartet, › Allegro Moderato from the Sonata in G Major for Viola & Piano, › Allegro Scherzando in C Minor for String Quartet, › Allemande from the French Suite No. for Brass & Strings, › Aria: "Freu dich sehr, o meine Seele" for String Quartet, › Aria: "Frische Schatten, meine Freude" for String Quartet, › Aria: "Fromme Musen! Both Bach himself and Shunske Sato, violinist and artistic director of the Netherlands Bach Society and playing here on the viola, refute the age-old prejudice. Johann Sebastian Bach's Brandenburg Concerto No. for String Trio, › Aria: "Geliebter Jesu, du allein" for Viola & Harp, › Aria: "Gelobet sei der Herr, mein Gott, mein Heil" for Viola Duet, › Aria: "Gewaltige stößt Gott vom Stuhl" for Viola & Cello, › Aria: "Glaub' und Hoffnung, Trost und Stärke" for Trumpet & Strings, › Aria: "Gott hat alles wohlgemacht" for String Trio, › Aria: "Gott hilft gewiß" for Viola & Strings, › Aria: "Gott Lob, Gott Lob" for String Trio, › Aria: "Gott, bei deinem starken Schützen" for String Quartet, › Aria: "Hört, ihr Augen, auf zu weinen" for String Trio, › Aria: "Handle nicht nach deinen Rechten" for Viola & Harp, › Aria: "Hasse nur, hasse mich recht" for Viola & Cello, › Aria: "Hebt euer Haupt empor" for Horn & Strings, › Aria: "Herr, dein Mitleid, dein Erbarmen" for Oboe & Strings, › Aria: "Herz, zerreiß des Mammons Kette" for String Trio, › Aria: "Hilf, Jesu, hilf, daß ich auch dich bekenne" for Viola & Cello, › Aria: "Ich bin ein guter Hirt" for Oboe, Horn & Strings, › Aria: "Ich bin herrlich, ich bin schön" for String Quartet, › Aria: "Ich esse mit Freuden mein weniges Brot" for String Quartet, › Aria: "Ich geh und suche mit Verlangen" for String Trio, › Aria: "Ich gehe hin und komme wieder zu euch" for Viola & Cello, › Aria: "Ich halt es mit dem lieben Gott" for Viola & Strings, › Aria: "Ich traue seiner Gnaden" for Viola & Harp, › Aria: "Ich will den Kreuzstab gerne tragen" for Horn & Strings, › Aria: "Ich will dich nicht hören" for Viola & Piano, › Aria: "Ich will nur dir zu Ehren leben" for String Quartet, › Aria: "Immerhin, immerhin, wenn ich gleich verstoßen bin" for String Quartet, › Aria: "In meinem Gott bin ich erfreut" for String Trio, › Aria: "Ja, ja, ich halte Jesum feste" for String Quartet, › Aria: "Jagen ist die Lust der Götter" for String Quartet, › Aria: "Jede Woge meiner Wellen" for Viola & Harp, › Aria: "Jesu, dir sei Preis" for String Quartet, › Aria: "Jesu, laß dich finden" for French Horn & Strings, › Aria: "Jesu, laß uns auf dich sehen" for Horn & Strings, › Aria: "Jesu, meines Todes Tod" for String Trio, › Aria: "Jesu, Retter deiner Herde" for Brass & Strings, › Aria: "Jesu, Trost der geistlich Armen" for Viola & Strings, › Aria: "Jesus Christus, Gottes Sohn" for Viola & Piano, › Aria: "Jesus ist der Mänschen Heils" for French Horn & Strings, › Aria: "Jesus ist ein Schild der Seinen" for Viola & Piano, › Aria: "Johannis freudenvolles Springen" for French Horn & Strings, › Aria: "Kapital und Interessen" for Viola & Harp, › Aria: "Kein Arzt ist außer dir zu finden" for String Trio, › Aria: "Komm, du süße Todesstunde" for Trumpet & Strings, › Aria: "Kommt, eilet und laufet" for Viola & Piano, › Aria: "Kommt, eilet, stimmet Sait und Lieder" for Viola & Strings, › Aria: "Kraft und Stärke sei gesungen" for Viola Duet, › Aria: "Laß, o Welt, mich aus Verachtung" for String Trio, › Aria: "Lass mein Herz die Münze sein" for String Trio, › Aria: "Lasset dem Höchsten ein Danklied erschallen" for Bassoon & Strings, › Aria: "Leg ich mich späte nieder" for Cello & Strings, › Aria: "Lempio, sleale, indegno" from "Giulio Cesare" for Viola & Strings, › Aria: "Liebt, ihr Christen, in der Tat!" 6 in B flat major, BWV 1051 … for String Quartet, › Aria: "Lobe den Herren, der deinen Stand sichtbar gesegnet" for String Trio, › Aria: "Mädchen, die von harten Sinnen" for Viola & Guitar, › Aria: "Mache dich, mein Herze, rein" for String Quintet, › Aria: "Man halte nur ein wenig stille" for French Horn & Strings, › Aria: "Mein alles in allem, mein ewiges Gut" for Guitar & Strings, › Aria: "Mein Herze glaubt und liebt" for Trumpet, Horn & Strings, › Aria: "Mein Jesus hat nunmehr" for Flute & Strings, › Aria: "Mein Jesus ist erstanden" for Horn & Strings, › Aria: "Mein Jesus soll mein alles sein" for Horn & Strings, › Aria: "Mein teurer Heiland, laß dich fragen" for String Ensemble, › Aria: "Mein Verlangen ist, den Heiland zu umfangen" for Viola & Strings, › Aria: "Meine Seufzer, meine Tränen" for French Horn & Strings, › Aria: "Mich kann kein Zweifel stören" for Viola & Harp, › Aria: "Momus from Geschwinde, ihr Wirbelnden Winde" for Viola & Cello, › Aria: "Murre nicht, lieber Christ" for French Horn & Strings, › Aria: "Nichts ist es spat und frühe" for Viola & Cello, › Aria: "Nichts kann mich erretten" for Oboe & Strings, › Aria: "Nimm mich mir und gib mich dir" for Trumpet & Strings, › Aria: "Non v'aletti un occhio nero" for Viola & Guitar, › Aria: "Nun mögt ihr stolzen Feinde schrecken" for Oboe & Strings, › Aria: "Nun, ich halte mich bereit" for String Trio, › Aria: "Nur du wirst mein Gewissen stillen" Arranged for Oboe, Horn & Strings, › Aria: "Nur jedem das Seine" for Viola & Strings, › Aria: "O Mensch, errette deine Seele" for Oboe & Strings, › Aria: "Priva son dogni conforto" from "Giulio Cesare" for Horn, › Aria: "Reißt euch los, bekränkte Sinnen" for Viola, › Aria: "Ruft und fleht den Himmel an" for Oboe, Horn & Strings, › Aria: "Schafe können sicher weiden" (Sheep May Safely Graze) for String Quartet, › Aria: "Schlafe, mein Liebster, genieße der Ruh'" for Piccolo Trumpet & Strings, › Aria: "Schließe, mein Herze, dies selige Wunder" for String Trio, › Aria: "Schlummert ein, ihr matten Augen" for Guitar & Strings, › Aria: "Se a menon sei crudele" from "Giulio Cesare" for String Trio, › Aria: "Se non ti piace amarmi" from "Tu fedel tu costante" for String Quartet, › Aria: "Seid wachsam, ihr heiligen Wächter" for Bassoon & String Trio, › Aria: "Seligster Erquickungstag" for String Quartet, › Aria: "Sende, Herr, den Segen ein" for Viola, › Aria: "Sharp violins proclaim their jealous pangs" for String Quartet, › Aria: "Sich in Gott und Jesu freuen" for String Ensemble, › Aria: "Siehe, ich will viel Fischer aussenden" for Cello & Strings, › Aria: "So geh ich mit beherzten Schritten" for Horns & Strings, › Aria: "So schnell ein rauschend Wasser schießt" for String Quartet, › Aria: "Spielet, ihr beseelten Lieder" for Oboes & Strings, › Aria: "Stürmt nur, stürmt, ihr Trübsalswetter" for French Horn & Strings, › Aria: "Stürze zu Boden, schwülstige Stolze!" Harpsichord Concerto No.1 in D minor, BWV 1052 Harpsichord Concerto No.2 in E major, BWV 1053 Harpsichord Concerto No.3 in D major, BWV 1054 Harpsichord Concerto No.4 in A major, BWV 1055 Harpsichord Concerto No.5 in F minor, BWV 1056 Harpsichord Concerto No.6 in F major, BWV 1057 Harpsichord Concerto No.7 in G … for Horn & Strings, › Recitative: "Und er kam zu seinen Jüngern" for Cello & Strings, › Recitative: "Und ging hin ein wenig" for Horn & Strings, › Recitative: "Und siehe, einer aus denen, die mit Jesu" for Guitar & Strings, › Recitative: "Was Lust!" This is not a new phenomenon. Instrumentations: ORCHESTRA - BAND › String orchestra (1) Original › String orchestra and Harpsichord (1) Original VIOLA › Viola and Strings (1)SAXOPHONE › Saxophone quartet (1)PIANO › 1 Piano, 4 Hands (duet) (1) Arrangers: › Bach, Johann Sebastian Original (2) › Magatagan, Mike (1) › Reger, Max (1) › Rotatori, Cristiano (1) Sheet music … Full score, set of parts and 2 Play-Along CDs. Piano Concertos by Wolfgang Amadeus Mozart; Piano Concerto No.5 in D major, K.175; Rondo in D major, K.382; Piano Concerto No.6 in B ♭ major, K.238; Piano Concerto No.7 in F major for 3 (or 2) Pianos, K.242 “Lodron” Piano Concerto No.8 in C major, K.246 “Lützow” Piano Concerto No.9 in E ♭ major, K.271 “Jeunehomme” 2 in C Minor for String Trio, › Sinfonia No. On 24 March 1721 Bach dedicated the final form of the concerto to Margrave Christian Ludwig of … 3 in D Major for String Trio, › Sinfonia No. 6 in B flat major, BWV 1051 is in three movements, the first without tempo indication by Bach himself although often performed fast or moderately fast (allegro or allegro moderato); the second a slower, or adagio, movement; and the third, once again fast and dance-like, much like the final movement of the Concerto No. 4 in D Minor for Viola Duet, › Invention No. 1 in D Minor for String Trio, › Allemande from the French Suite No. for Oboe & Strings, › Aria: "Ein unbarmherziges Gerichte" for Violin & Viola, › Aria: "Ein unbegreiflich Licht" for Cello & Strings, › Aria: "Entziehe dich eilends, mein Herze, der Welt" for String Trio, › Aria: "Er ist mein Licht, mein Leben" for Trumpet & Strings, › Aria: "Er kennt die rechten Freudenstunden" for String Quartet, › Aria: "Er wird mich nicht betrügen" for String Trio, › Aria: "Erbarme dich, mein Gott" for Oboes & Strings, › Aria: "Erbarme dich, mein Gott" for Viola & Piano, › Aria: "Erfreue dich, Seele, erfreue dich, Herze" for Viola & Cello, › Aria: "Erholet euch, betrübte Sinnen" for Trumpet, Horn & Strings, › Aria: "Erschüttre dich nur nicht, verzagte Seele" for String Trio, › Aria: "Erwäge, wie sein blutgefärbter Rücken" for String Quartet, › Aria: "Es kömmt ein Tag" for Viola & Harp, › Aria: "Es werden viele zu mir sagen an jenem Tage" for Bassoon & Strings, › Aria: "Fürchte dich nicht" for Viola Duet, › Aria: "Fürst des Lebens, starker Streiter" for Viola & Cello, › Aria: "Fahr hin, abgöttische Zunft!" 6 in Bb Major for Strings, › "Élégie" from "6 Études pour la Main Gauche" for String Quartet, › "Élévation ou Communion" from "L'Organiste Moderne" for String Quintet, › "Élévation" in D Major from 10 Pieces for Organ for String Quartet, › "Ach bleib bei uns, Herr Jesu Christ" for Viola, › "Album leaf" from Lyric Pieces for String Quartet, › "All They That See Him Laugh Him to Scorn" for Horn & Strings, › "All Through the Night" for Violin, Viola & Harp, › "Alla Fuga" from "6 Études pour la Main Gauche" for Viola Duet, › "Allemanda" from the Partita for Violin No. › Fantasy VII from 12 Fantasie for Violin & Viola, › Fantasy VIII from 12 Fantasie for Violin & Viola, › Fantasy X from 12 Fantasie for Violin & Viola, › Fantasy XI from 12 Fantasie for Violin & Viola, › Fantasy XII from 12 Fantasie for Violin & Viola, › Fuga & Allegro in C Major for String Quartet, › Fughetta: "Kyrie, Gott heiliger Geist" for String Quartet, › Fughetta: "Kyrie, Gott Vater" for Oboe & Strings, › Fugue II from 30 Progressive Etudes for Violin & Viola, › Fugue in A Minor from "Gradus ad Parnassum" for String Quartet, › Fugue in A Minor from 6 Fugues for String Quartet, › Fugue in C Major from "Gradus ad Parnassum" for String Quartet, › Fugue in Eb Major from 6 Fugues for String Quartet, › Fugue in F Major from "Gradus ad Parnassum" for String Quartet, › Fugue in F Minor from "Gradus ad Parnassum" for String Quartet, › Fugue in G Minor from 6 Fugues for String Quartet, › Gavotte & Rondeau from the Overture Suite in G Minor for Viola & Guitar, › Gavotte from the French Suite No. [Without tempo indication] - 0:132. Brandenburg Concerto No. 4; Brahms – Variations on a … Together, the six concertos thus form a virtuoso sample sheet of the Baroque concerto. Bach’s noble employer himself played viola da gamba, which in the Baroque was often used as a ‘royal’ solo instrument. Share on facebook; twitter; tumblr; Description by John Keillor . 2 "La soirée dans Grenade" for String Quartet, › Evangelista: "Es begab sich aber zu der Zeit" for Oboe & Strings, › Evangelista: "Und Gott befahl ihnen im Traum" for String Quartet, › Evangelista: "Und sie gebar ihren ersten Sohn" for Viola & Strings, › Exercitium in F Major from "Gradus ad Parnassum" for String Quartet, › Fantaisie in Ab Major from L'Organiste for String Quartet, › Fantasia (Concerto) in G Major for String Quartet, › Fantasia in G Major for Marimba & Strings, › Fantasia: "Komm, Heiliger Geist" for String Quartet, › Fantasy & Fugue on the Theme B-A-C-H for String Quintet, › Fantasy I from 12 Fantasie for Violin & Viola, › Fantasy II from 12 Fantasie for Violin & Viola, › Fantasy III from 12 Fantasie for Violin & Viola, › Fantasy IV from 12 Fantasie for Violin & Viola, › Fantasy IX from 12 Fantasie for Violin & Viola, › Fantasy V from 12 Fantasie for Violin & Viola. share. 3 in G Minor for String Trio, › Gigue from the French Suite No. ich sehe, itzt, da ich zur Hochzeit gehe" for Violin, Cello & Strings, › Aria: "Ach, es bleibt in meiner Liebe" for String Trio, › Aria: "Ach, lege das Sodom der sündlichen Glieder" for String Trio, › Aria: "Ach, mein Sinn" for Horn & Strings, › Aria: "Ach, wenn wird die Zeit erscheinen?" As a younger son, Christian Ludwig lacked the resources to … Harpsichord Concerto No.1 in D minor, BWV 1052 Harpsichord Concerto No.2 in E major, BWV 1053 Harpsichord Concerto No.3 in D major, BWV 1054 Harpsichord Concerto No.4 in A major, BWV 1055 Harpsichord Concerto No.5 in F minor, BWV 1056 Harpsichord Concerto No.6 in F major, BWV 1057 Harpsichord Concerto No.7 in G … Adagio ma non-tanto 3. All the traditionally used string and wind instruments and the harpsichord appear as soloists, the musical forms range from court dances to near-fugues, and the relationship between the solos and tutti instruments is always shifting. 4 in D Minor for String Trio, › Sinfonia No. for String Quartet, › Chorale: "Zudem ist Weisheit und Verstand" for String Quartet, › Chorale: "Zwingt die Saiten in Cythara" for String Quartet, › Chorus: "Ach Gott, vom Himmel sieh darein" for String Quintet, › Chorus: "Alles nur nach Gottes Willen" for String Orchestra, › Chorus: "Brich an, o schönes Morgenlicht" for String Quartet, › Chorus: "Du Hirte Israel, höre" for String Orchestra, › Chorus: "Ein feste Burg ist unser Gott" for String Quartet, › Chorus: "Er hat das Volk erreget damit" for String Ensemble, › Chorus: "Ich freue mich in dir" for French Horn & Strings, › Chorus: "ihr Himmel, erfreuet dich, Erde" for Trumpet & Strings, › Chorus: "Lobet den Herrn in seinen Taten" for Brass & Strings, › Chorus: "Meinen Jesum laß ich nicht" for Violin & Strings, › Chorus: "Nimm, was dein ist, und gehe hin" for String Quintet, › Chorus: "Preise, Jerusalem, den Herrn" for Small Orchestra, › Chorus: "Wär Gott nicht mit uns diese Zeit" for Trumpet & Strings, › Chorus: "Was Gott tut, das ist wohlgetan" for Brass & Strings, › Chorus: "Weinen, Klagen, Sorgen, Zagen" for Brass & Strings, › Chorus: "Wer an ihn gläubet, der wird nicht gerichtet" for Horn & Strings, › Chorus: "Wir danken dir, Gott, wir danken dir" for String Quartet, › Chorus: "Wir gehn nun, wo der Dudelsack" for Oboe & Strings, › Concerto & Fugue in C Minor for String Quartet, › Concerto Grosso in B Minor for String Quartet, › Concerto Grosso in D Major for String Quartet, › Concerto Grosso in D Minor for String Quartet, › Concerto in Bb Major for String Quartet, › Concerto in Bb Major for Viola & Strings, › Concerto in C Major for Small Orchestra, › Concerto in D Major for Violins & Strings, › Concerto in D Minor for Viola & Strings, › Concerto in E Minor for Viola & Strings, › Concerto in G Minor for Guitar & Strings, › Concerto in G Minor for Viola & Strings, › Concerto in G Minor from "La Cetra" for Violin and Strings, › Contrapunctus I from the Art of the Fugue for String Quartet, › Contrapunctus II from the Art of the Fugue for String Quartet, › Contrapunctus III from the Art of the Fugue for String Quartet, › Contrapunctus IV from the Art of the Fugue for String Quartet, › Contrapunctus V from the Art of the Fugue for String Quartet, › Contrapunctus VII from the Art of the Fugue for String Quartet, › Contrapunctus VIII from the Art of the Fugue for String Trio, › Contrapunctus X from the Art of the Fugue for String Quartet, › Contrapunctus XI from the Art of the Fugue for String Quartet, › Contrapunctus XII from the Art of the Fugue for String Quartet, › Contrapunctus XIII from the Art of the Fugue for String Trio, › Contrapunctus XIX from the Art of the Fugue for String Quartet, › Contrapunctus XV from the Art of the Fugue for Violin & Viola, › Contrapunctus XVI from the Art of the Fugue for Viola Duet, › Contrapunctus XVIII from the Art of the Fugue for String Quartet, › Coro: "Aus tiefer Not schrei ich zu dir" for Horn & Strings, › Duet I in C Major from 6 Duets for Violin & Viola, › Duet II in F Major from 6 Duets for Violin & Viola, › Duet III in D Major from 6 Duets for Violin & Viola, › Duet IV in G Major from 6 Duets for Violin & Viola, › Duetto No 4. in A Minor for Viola & Cello, › Duetto No. To complete the task without the financial support of our patrons perfoemed brandenburg concerto 6 imslp Brandenburg Concerto in! ] ( usually performed at Allegro or Allegro moderato ) 2 or more soloists the. 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